Wednesday, July 26, 2017

The Expert


Last night David Wilson led us on a marvellous visual journey into his world of stone. Many of us were in awe of the caliber and creativeness of projects he has tackled over his many years as an artist working predominantly with stone.  

His well executed public commissions dotted throughout the UK are nothing short of inspiring and his work at the Chelsea garden shows were, each one, a treat for the eyes . 

In talking with David later about his many successes and the huge challenges and personal stretching the projects have demanded of him as an artist, David admitted that over the years he has become a bit of an expert. 

He explained that an expert is someone who has made the most mistakes in his field. 




Tuesday, July 25, 2017

David Wilson



The well known Scottish artist David Wilson who designed and built the much admired Edinburgh International Airport dry stone roundabout installation has been traveling thousands of miles across North America in the last three weeks with his wife through the funding of a Churchill grant. 

He will be arriving in Port Hope today with his wife, after four days of solid driving from Gualala,California. David will be giving an inspiring talk here on many things having to do with 'stone and art' which, if you live within 4 hours of Port Hope, and don't make the effort to hear him, I'm pretty sure you'll be kicking yourself later.



The address is St Mark's Church, King Street, Port Hope. The time is 730 pm, Tuesday July 25th.







David and his wife will have driven 4445 km to get here tonight. Admission is free and everyone is welcome. 

This presentation is being provided for by D S Walling Across Canada and the Churchill Memorial Trust ) 




Let's all plan to give them a big Port Hope welcome.


Sunday, July 23, 2017

A leaning experience


Surprisingly, we can teach stones to lean on each other.

If they are sitting flat on the horizontal they have little dynamic strength. Leaning on each other they feel stronger .







Sometimes if they can't lean, we have to lean for them.

Then they can learn to lean, from us.














Saturday, July 22, 2017

Connecting



  • We
    All of us
    Are looking 
    To find a way of connecting.
    We learn the principles of connection sometimes 
    By experimenting putting things together.
    Connecting them like stones in a wall
    And we learn 
    What works
    And what doesn't.
    And we make the connections.
    And our wall takes on a pleasing form if it is built right 
    And reveals the beauty of connectivity.
    And fittingly,
    we and others 'connect' with what we see.

Thursday, July 20, 2017

Not just Imagination.




One of the students taking the bridge building course I finished teaching at the Haliburton School of Art and Design brought his grandchildren back to see the completed bridge he and the nine other students built there last week. 

When I took Mary back to Haliburton to see the bridge, we arrived to the sight of the kids jumping and crawling all over it, pretending they were in a Harry Potter adventure. It did indeed seem like a magic bridge. The week before there was nothing there! 

Wednesday, July 19, 2017

Observations


My client wrote to say someone who saw a photo of it asked if the thing moved when you stood on it.

Good idea, but the answer is no.


Mark said "Probably in a couple hundred years from now people will discover it and wonder what it is.
The lady he was talking to said "I don't think you have to wait that long."











Monday, July 17, 2017

Back to the Land Art


This 19 foot diameter 'earth and stone' composition combines vertically laid random bedrock limestone surrounding a slanted circular platform of sedum mat material, to create what is called the 'Tilted Garden'. I feel this piece is a significant development from just walling, venturing even more into the realm of 'land art' . In a way the true 'landscape artist’ isn’t limited just to the canvas or a sketch book. He or she can bring the actual elements of the land into the composition literally. Hopefully Tilted Garden is an invitation to see stone and art ( and gardening) from yet a different slant. 





More photos on the building of this piece to follow

Sunday, July 16, 2017

The Tilting Process


At the client’s property, in the gallery/studio space adjacent to where we were going to be building, we first placed the small sand box maquette of the ‘Tilted Garden’  to the angle of the rising sun.



We used landscaper’s spray paint to scribe a 9 foot 6 inch radius circle where the installation was to be built with a line on a north south axis. 


Our guy running the large backhoe really knew his stuff when it came to cutting the angle we wanted.


The stone supply, a large very random pile of limestone bedrock, was the result of what the backhoe had uncovered the year before digging a foundation for a new art gallery building on the property. 


For good drainage we filled 3/4 sharp clear gravel in along the lowest part of the crescent shape depression up to the height of the base that we would be building off of on that side.


There's what our preliminary excavation looked like from the gallery balcony.


Here's me trying to get my head round how we were going to build this thing.









Saturday, July 15, 2017

Sand box designing



We were working all last week doing a dry stone installation in the Perth Ontario area, based on a Sketchup design I showed the client several months ago. I did this sand box maquette recently to get a better feel for the slanted platform shape I hoped to create. Models really help get a feel for scale and perspective. The resulting full size sculpture we completed just yesterday, happily created the intriguing sinking effect I hoped it would. 

More on this installation tomorrow.


Friday, July 14, 2017

Visiting the bridge a year later.




Yesterday was my first visit back to Perth Bridge since we were there building it . It's also after that great June flood where the river overflowed. But everything looked good. Nothing out of the ordinary. Or rather, everything looks 'extraordinary' !

Thursday, July 13, 2017

Award for Dedication

 

Again this year, Dry Stone Walling Across Canada sponsored another graduating student in the Algonquin College award program. They were pleased to award the Dedication to Traditional Stonemasonry Techniques Award from DSWAC at Convocation last month. This year’s recipient was Steven Barter.

Wednesday, July 12, 2017

Sunny's at Night


A piece by Irish artist and dry stone waller Sunny Wieler http://www.stoneart.ie  is installed on the client s property where we are working presently. It's an intriguing freestanding mosaic made with cut granite and broken mirrors. It has a commanding view of field where the art installation is that we have been commissioned to create.

It was a bit of a surprise and definitely a coincidence to see Sunny's work here too. Our patron definitely has good taste. 

Sunday, July 9, 2017

The Canada150 Bridge


DSWAC in conjunction with Fleming College - Haliburton School of Art + Design, completed a week long course on teaching students how to build a dry stone bridge.


A small creek in a public park in the municipality Dysart Et Al was chosen and approved for the site where the permanent foot bridge was to be built.



Ten students worked together with me, their instructor, on this ambitious project.



After the foundations were dug and built up with stone (and the undergrowth was cut back) an 8 foot wooden former was set in place.




The first rows of voussoirs were laid over the thick springers.


18 tons of beautiful stone material was provided by Vince Hammond Aggregate near Minden Ontario


On the second day, the water in the creek rose unusually high, due to the sudden release of a month long heavy rainfall backup in a reservoir upstream.


The water upstream had to be slowed down with plywood over a culvert or the former might have been washed away.



On the third day the class went on a field trip to gather 4 more tons of voussoir-shaped stones from the quarry.


Tight fitting shims in combination with closely aligned arch stones are essential to create the even compression and necessary friction to hold all the stones in place when the form is taken out.


There is no lack of excitement watching the form come out and the arched bridge being born 


Iris got the first underside barrel vault shot.


Work still goes on to complete the bridge on the last day


Including setting the parapet stones and the cobbled walking surface.

( Note the train and the jet in the background, an iconic triad of ways to cross land, air, and water. )


There's a job for everyone on a bridge.




We decided to call it the Canada Sesquicentennial Bridge.

Happy birthday Canada.
Well done students.











Friday, July 7, 2017

Feile na gCloch 2017





This is going to be a wonderful gathering of the stone clan.
I look forward to seeing many of you there.